Факултет Музичке уметности Универзитет Уметности у Београду

Faculty of Music University of Arts in Belgrade

PROCEEDINGS OF PSYCHOLOGY AND MUSIC – INTERDISCIPLINARY ENCOUNTERS BELGRADE 2019, Blanka Bogunović and Sanela Nikolić (Eds.)

 

Impressum, Content, Editorsʼ Note

Carolina e Sá and Eduarda Carvalho. Lullabies and Preterm Infants: A Contribution for the Study of Infant Directed Singing in the NICU

Marija Savić, Dubravka Stošić, and Nikola Goljović. The Relation Between Musical Activities, Attitudes, and Music Education of Pre-school Teachers

Ida Vujović. The Power of Long Notes: Pedal Points, Drones, and Expectancy Theories

Teodora Vuletić. Methodological Difficulties in Conservation-Type Tasks in Music

Blanka Bogunović, Ida Vujović, and Ana Protulipac. Sight-Reading Strategies in Singing and Playing

Anna Antonina Nogaj and Izabela Czarnecka. Differences in the Stress Coping Styles and Social Competences among Classical and Jazz Musicians

Aleksandar Kontić and Miloš Zatkalik. Some Remarks on the Performance Anxiety among Musicians: A Psychoanalytic Perspective

Valnea Žauhar, Aleksandra Matić, Ana Dražul, and Igor Bajšanski. Memorizing the Contemporary Piano Piece of Music: The Effects of the Formal Structure, Pianist’s Segmentation, and Technical Difficulties

Marija Tomić. Perception of the Idiosyncrasy in Performances of Debussy’s “Syrinx” for Solo Flute

Maria Bernadete Castelan Póvoas and Luís Claudio Barros. Principles of Anticipation and Movement Cycles Applied to Piano Gestures in the Brazilian Repertoire for Piano Four Hands

Tatjana Popović. Role of the Body and its Movements in Expressive Performances

Dejana Mutavdžin and Blanka Bogunović. Learning Preferences of the Musically Gifted

Vesna Rokvić, Majda Marić, Anica Bajagić, Mirjana Đukić, Blanka Bogunović, Olja Jovanović, and Selena Erac. Children with Additional Support Needs in Music Education

Margarida Baltazar and Daniel Västfjäll. Songs Perceived as Relaxing: Musical Features, Lyrics, and Contributing Mechanisms

Maja Derlink, Veronika Rogelj, Nina Stanojević, Petra Habjanič, Katarina Habe, and Uroš Kovačič. Music Listening and Heart Rate Variability

Johanna N. Wilson, Marc Thompson, and Suvi Saarikallio. The Function of Music Videos in Everyday Listening Experiences

Radost Galonja Krtinić. The Emotional Response of Different Generations to Mass (Partisan) Songs

Marija Stankov, Nebojša Milićević, and Ana Jovančević. Effect of Music on Subjective Experience of Dance Performances

Marik Roos. The Influences of Chord Progression Probability, Predictive Processing, and the Behavioral Inhibition System on Aesthetic Appreciation of Pop Songs

Ana Rebrina. Perception of the Macroform in the Second of Babbitt’s ‟Three Compositions for Piano” (1947)

Đorđe Stepanović. Perception of Rhythmic Patterns, Meter, and Measure among Music Students

Neda Nikolić. Musical Flow Segmentation and Emotional Response of Music Students to Impressionistic Musical Piece

Sanja Srećković. Psychological Research and Philosophical Debates on Musical Meaning

Srđan Teparić. The Sign Upgrading of Archetypes in the Music of Postmodernism

Sanela Nikolić. Model of Artistic Music Aesthetic Experience in Music Criticism Broadcasted on the Radio Belgrade 2 in 2017

Milena Petrović. Zoomusicology Research in Serbia

Igor Radeta. Ondine as an Anima in the Context of Narrative Strategies of Ravel’s ‟Gaspard de la Nuit”

Milica Lazarević. The Dramaturgy of ‟Ondine” by Ravel from the Perspective of Jung’s Concept of the Psyche

Marija Simonović. Ravel’s ‟Ondine” From the Viewpoint of Bachelard’s Essay on Water and Dreams

Tijana Popović Mlađenović, Neda Kolić, and Ivana Petković Lozo. Rediscovering Music Universe of Claude Debussy’s ‟Préludes”