Challenges in Contemporary Musicology: Еssays in Honor of Prof. Dr. Mirjana Veselinović-Hofman (Izazovi savremene muzikologije: eseji u čast prof. dr Mirjane Veselinović-Hofman),
Sonja Marinković, Vesna Mikić, Ivana Perković, Tijana Popović Mladjenović, Ana Stefanović, Dragana Stojanović-Novičić (Eds.)
CONTENT
Editors’ Note
Beleška urednica
List of Selected Publications by Mirjana Veselinović-Hofman / Spisak odabranih radova Mirjane Veselinović-Hofman
I – CONCEPTS
Miško Šuvaković, Sonja Marinković, ISSUES IN CONTEMPORARY AESTHETICS, POETICS, AND STYLISTICS OF MUSIC
Marija Bergamo, „DUG PREMA MUZICI ISKUPLJUJEMO SAMO NEPRESTANIM POSTAVLJANJEM PITANJA” (Georg Steiner) ZAPIS UZ JUBILEJ
Anica Sabo, Sonja Marinković, NEKA METODOLOŠKA PITANJA ANALIZE MUZIČKOG OBLIKA
Vesna Mikić, SAVREMENA MUZIKA I SAVREMENOST – MUZIKOLOŠKI (P)OGLED
Sanela Nikolić, ARCHAEOLOGY OF MIRJANA VESELINOVIĆ-HOFMAN’S MUSICOLOGICAL INTERDISCIPLINARITY
Nico Schüler, CONTEMPORARY APPROACHES OF COMPUTER–ASSISTED MUSIC ANALYSIS & RESEARCH
Ana Stefanović, MUZIKOLOGIJA U KONTEKSTU NARATOLOŠKIH ISTRAŽIVANJA
Biljana Leković, MERA INTER/TRANS/DISCIPLINARNOSTI MUZIKOLOGIJE: IZAZOVI SADAŠNJOSTI I BUDUĆNOSTI
Ira Prodanov, THE FRACTAL THEORY AND MUSICOLOGY – A CASE STUDY
Katy Romanou, ΜUSICOLOGY TODAY: TRAPPED IN ITS SUPPORTING STRUCTURES
Dimitrije O. Golemović, ETNO/MUZIKOLOGIJA
Mladen Marković, U SALI OGLEDALA (I DOMAĆE?) ETNOMUZIKOLOGIJE (iliti Izazovi savremene etnomuzikologije)
II – CREATION(S)
Tijana Popović Mladjenović, KA TUMAČENJU MUZIČKOG DELA
Valentina Radoman, THE APORIAS OF THE AVANT-GARDE THE WORLD OF DEMOCRATIC DREAMS AND ITS CATASTROPHE: 4’ 33’’ FOR ANY INSTRUMENT OR A COMBINATION OF INSTRUMENTS BY JOHN CAGE
Dragana Stojanović-Novičić, CONLON NANCARROW AND MINIMALISM
Antonio Baldassarre, FORGOTTEN IN PLAIN SIGHT ANTI–SEMITISM, IDENTITY, AND MUSIC: A PORTRAIT OF ERNST LEVY (1895–1981)
Paulo F. de Castro, MUSIQUE ET PENSÉE DE L’ORIGINE DANS L’ESPACE IBÉRIQUE À L’AUBE DU XXE SIÈCLE
Chris Walton, A NEWLY FOUND PORTRAIT OF RICHARD’ WAGNER’S DRESDEN SOPRANO LOUISE CORRODI
Ivana Medić, ALFRED SCHNITTKE’S OPERAS FROM THE 1990s IN THE CONTEXT OF TRAUMA STUDIES
Ivana Vuksanović, UNDERSTANDING HUMOR IN INSTRUMENTAL MUSIC: THE CASE OF BEETHOVEN’S RONDO
Zorica Premate, “ABNORMAL BEATS OF DOGON” 27 YEARS AFTER
III – CONTEXTS
Melita Milin, PERIPHERIES IN HISTORIES OF EUROPEAN MUSIC
Alexandros Charkiolakis, REFRAMING AND RESHAPING GREEK MUSIC HISTORY
Georgia Petroudi, SOLON MICHAELIDES: THE FIRST CONTEMPORARY CYPRIOT MUSICOLOGIST AND HIS CONTRIBUTIONS TO CYRPIOT LITERARY JOURNALS
Rūta Stanevičiūtė, WRITING A HISTORY OF LITHUANIAN MUSIC: FROM COLONIAL TO POSTCOLONIAL CONTEXT
Стефан Хърков, ON THE INTERPRETATION OF THE PSALMS IN THE FOURTH CENTURY
Ryuichi Higuchi, CHRISTIAN MISSIONS IN THE MUSIC HISTORY OF JAPAN
Ivana Perković, IZAZOVI INTERDISCIPLINARNOSTI: METODOLOŠKA PLATFORMA ZA ISTRAŽIVANJE MUZIČKIH REFERENCI U SRPSKOJ SREDNJOVEKOVNOJ KNJIŽEVNOSTI
Nataša Marjanović, DOCUMENTARY LITERATURE AS A SOURCE FOR MUSICOLOGICAL RESEARCH: THE RELATIONS BETWEEN THE SERBIAN LITERARY AND MUSIC HISTORY OF THE 19TH CENTURY
Nemanja Sovtić, HISTORICAL CONSCIOUSNESS OF FREE IMPROVISATION AS A CHALLENGE FOR MUSICAL HISTORIOGRAPHY
Nice J. Fracile, PERCEPCIJA/APERCEPCIJA AKSAK RITMA I DEFINISANJE METRORITMIČKIH PULSACIJA
Rima Povilionienė, TALKING MUSIC: CRYPTOGRAPHY OVERVIEW AND CASE STUDIES
IV – FRAGMENTS
Zdravko Blažeković, MUSIC PRESERVATION AS HERITAGE DIPLOMACY
Stephanus Muller, SCHOLARSHIP, TRAUMATIC HISTORIES, AND THE BOUNDARIES OF THE PERSONAL: THE MAKING OF AN INCONSOLABLE MEMORY
Nikola Dedić, MUZIKA IZMEĐU PROIZVODNOG I NEPROIZVODNOG RADA
Andrija Filipović, LISTENING SIDEWAYS: ON THE THINKING-FEELING ENCOUNTERS BETWEEN QUEER THEORY, SOUND AND MUSIC
Radoš Mitrović, OSNOVNA RAZMATRANJA TEORIJE DRUGE MODERNE KLAUSA ŠTEFENA MANKOPFA
Leon Stefanija, Amra Toska, THE ICONOGRAPHY OF MUSICAL MODERNITY: POSTER ON CLASSICAL MUSIC CONCERTS IN SLOVENIA AND SOME NEIGHBOURING COUNTRIES
Katarina Tomašević, REDISCOVERING STANISLAV VINAVER’S MUSICAL UNIVERSE. FRAGMENTS
Ivana Miladinović Prica, ŠTA ZAPRAVO „DOKAZUJE” KEJDŽOV KONCEPT EKSPERIMENTA?
Marija Masnikosa, ELEMENTI SEMIOTIKE U TEORIJI MUZIČKOG POSTMODERNIZMA MIRJANE VESELINOVIĆ-HOFMAN
Notes on Contributors
